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  • #MadeinNigeria: Chude Jideonwo on How to Build Premium Nigerian Content for the Future

    In the last decade, Nigerian culture has gone global thanks to the rise of luminaries exporting our culture through various forms of art. No one is more knowledgeable, on this subject than our features in Made in Nigeria.

    For over 25 years, has been at the vanguard of Nigerian media. As a teenager, he published his first novel, . He went on to work on talk shows like Celebrating Jesus (MBI), Inside Out with Agatha, and Funmi Iyanda鈥檚 New Dawn.

    With his friend , he launched Red Media Group, the parent company of brands like YNaija, Red Media Africa, The Future Awards Africa, and StateCraft. After surviving a period of depression, he stepped away from his full-time role leading Red Media and later started his show, . , , and have all been guests. Subscribers pay $9 a month. #WithChude is now under Joy Inc., the company he founded to build 鈥渉appier, flourishing young Africans.鈥

    On Sunday, he will host , a live version of the podcast. Guests include Akindele, author Chimamanda Ngozi Adichie, pastor Jerry Eze, the comedian Bovi, and rapper Falz.

    In this week鈥檚 #MadeinNigeria, he opens up on why he is doing #WithChude Live, the roots of anti-introspection in Nigerian culture, YNaija’s relaunch (next year), and the future of Nigerian media.


    This interview has been edited for clarity and length.

    Why is this live show, #WithChude Live, important?

    There鈥檚 a way poverty takes quirks and makes them ugly, and that has happened to the culture in Nigeria. I never blame victims of a system for what they鈥檝e become because of that system. We have an entire culture that sometimes feels airless 鈥 no space to breathe, exhale, or rest 鈥 it鈥檚 all about the hustle, all about 鈥渁ll die na die鈥 and survivalist ideologies.

    It鈥檚 understandable, but it鈥檚 cooking us as a people; we need cultural interventions that allow us to breathe and see ourselves differently 鈥 that鈥檚 the point of my work with Joy Inc. and #WithChude. How do we fall in love with ourselves, even if we鈥檙e noisy, loud, brash, or hustling?

    Nigeria鈥檚 cultural landscape has lacked that kind of emotional connection, and that鈥檚 part of the outcomes I hope for with the work that I do. Over the past few years, Nigeria has had an intense gist culture 鈥 and there鈥檚 nothing wrong with gist or emotional revelations, but the difference is in how we do it.

    On #WithChude, we don鈥檛 bully our guests into revelations; we try to present the best version of people, even breaking journalism conventions to ensure guests only answer personal questions if they鈥檙e comfortable. All of these things bring a gentler tone to our shared reality, and with #WithChude Live, I want to blow that up to the biggest size. There are many important things happening politically, but let鈥檚 also let something beautiful 鈥 not just escapism, but something deeper 鈥 capture our attention.

    I want us to have events about our minds, hearts, and spirits 鈥 about wellness and wholeness 鈥 where celebrities come, not to talk about beefs, but about emotional health, spiritual life, and overcoming adversity. These conversations often happen in Europe, America, and Cape Town 鈥 but we deserve them too; we are humans in the same world. We deserve to have those experiences and to see ourselves in that light.

    This is just a small contribution toward shaping the culture into something more wholesome.

    Has anti-intellectualism stifled the conversations we have? Why are we here?

    There鈥檚 anti-intellectualism, which I sometimes call the “abeg-abeg” culture, or the 鈥渋t鈥檚 not that deep鈥 culture. But there鈥檚 also anti-introspection. And I think it鈥檚 a consequence of poverty 鈥 a scarcity mentality 鈥 where people believe, with good reason, that the ultimate aspiration is to get as much money and power as possible.

    Poverty breeds poverty; economic poverty often brings poverty of thinking. People don鈥檛 give themselves the space to feel, to reflect, to respond. Someone once said, 鈥淚鈥檝e never seen my mother cry. Any time she鈥檚 about to, she holds it back.鈥 That鈥檚 not strength 鈥 that鈥檚 performance, because it鈥檚 human to cry. Hillary Clinton and Barack Obama have cried in public, and when someone sees tears as weakness, it shows the performance culture we鈥檝e adopted. One of my guests told me, 鈥淚n Nigeria, everyone is running for their lives. If you fall down and don鈥檛 get up quickly, people will step on you.鈥

    You don鈥檛 need to be rich to experience the beautiful emotions of life; in fact, if you have nothing else, that鈥檚 when you should reach for what money can鈥檛 buy. When people say poor people can鈥檛 be happy, I say that鈥檚 not true: a man can love his wife even if he鈥檚 poor; a sister can trust her brother even in poverty. Emotions don鈥檛 depend on physical reality 鈥 emotions are in our control.

    People are dying of cancer and still find meaning in their suffering. But because of the survival mentality, most of us don鈥檛 know there are options 鈥 that we can live with grace, with dignity, that we can find meaning in our journey.

    Spirituality is supposed to help us, but poverty has infected our spirituality too, so even our spirituality now enables the hustle. We don鈥檛 know there are other ways to live this life. The conditions haven鈥檛 been created to allow that kind of message to thrive.

    That鈥檚 why I feel it鈥檚 the responsibility of people like myself 鈥 people who believe others should know these things 鈥 to sell the message, and hope people will buy it.

    Is the audience ready to buy this message?

    I always remind people 鈥 I鈥檓 a co-founder of a successful group of media companies. If money were the thing I wanted to focus on, I would鈥檝e continued being the CEO of the Red Media Group.

    But something shifted for me. #WithChude comes from my own personal experiences 鈥 dealing with depression and everything I learned through that process. So for me, there鈥檚 a sense of mission. There鈥檚 a reason I鈥檓 doing this. And because of that, I want it to succeed.

    If you can spend 鈧50,000 to drink fake wine at a club for one night 鈥 which will wear off in one day 鈥 you can spend $9 to watch something that affirms your spirit for a month. That鈥檚 what I want people to realise: this is just as important, if not more important, than that.

    And if I fail at this? That鈥檚 okay too. Because I tried.

    My show was inspired by . Oprah is doing her work in America, and it inspired a young person in Nigeria. In the same way, Ken Saro-Wiwa 鈥 and I鈥檓 not comparing myself to him 鈥 can lose his life in the pursuit of something meaningful, and that leads to the Ogoni cleanup 20 years later. One thing I learned from Barack Obama is this: our job is to do what we most believe needs to be done and then pass the baton whether it succeeds or not.

    In my case, I鈥檓 lucky. #WithChude is a viral success. People are buying tickets for #WithChude Live. But I would鈥檝e been just as comfortable trying and failing. Because I believe it鈥檚 important. A conversation that will change your life is worth the investment.


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    ALSO READ: Akinola Davies Jr. on How to Make a Successful Arthouse Nollywood Film


    You tweeted that Governor Babajide Sanwo-Olu of Lagos would attend the event. Why was that important?

    We had a whole call about it. Should I post this? And then I thought, 鈥淲hy are we even having this conversation?鈥 Of course, people are going to criticise me. But we went ahead, because for me, my sense of mission is more important than political noise.

    I鈥檝e been doing #WithChude for five years now, and very deliberately, I haven鈥檛 invited politicians on my show. It鈥檚 not that I don鈥檛 have access 鈥 I have relationships. I鈥檓 literally one degree away from almost any political official in this country. But I chose not to invite them. Why? Because politicians are rarely vulnerable. And if you鈥檙e not going to be vulnerable, I don鈥檛 need you on my show. I鈥檓 trying to do something important. If you鈥檙e not ready to participate in that honest exchange, then there鈥檚 no need.

    That said, politicians do watch the show. They text me after episodes 鈥 鈥淭his inspired me,鈥 or 鈥淭hat really touched me.鈥 And it鈥檚 the same thing happening with #WithChude Live.

    Now, Governor Sanwo-Olu wasn鈥檛 a guest on the platform. But he is a part of the show. It says something when the most powerful person in the most populous city in Black Africa takes a show about the mind, the heart, and the spirit seriously.

    That matters 鈥 especially to young people who see power as the ultimate aspiration. If they see someone that powerful taking this work seriously, it tells them, maybe this is worth paying attention to. So to me, that long-term message is more important than the short-term backlash from people saying, 鈥淗e shouldn鈥檛 have been there because of X, Y, or Z.鈥 As long as I鈥檓 not compromising on my mission, it鈥檚 worth it.

    You鈥檝e had very strong friendships over the years. How do you handle and sustain them?

    The easiest hack to forgiving others is knowing that you also need to be forgiven. Once you recognise your own irrationality, it becomes easier to extend grace to someone else. Because you know, they would have forgiven you, too, at some point. 

    I鈥檝e learnt that I鈥檓 not a perfect person. That should be obvious, but it isn鈥檛 because we look at life through the lens of our own experience. Once I made that mental switch, my friendships became so much easier. I always say this: I haven鈥檛 quarrelled with a friend in over five years. Have we had hard conversations? Absolutely. Sometimes I鈥檝e said, 鈥淚 didn鈥檛 like what you did,鈥 or 鈥淭his hurt me.鈥 But it never escalated into conflict.

    That鈥檚 partly because I now prioritise peace. I鈥檝e learned to value it. And also because I鈥檝e become very comfortable with myself. I realised that the most important relationship I鈥檒l ever have is the one I have with myself. So, I don鈥檛 depend on anyone else for my emotional well-being. One of my idols, Iyanla Vanzant, said, 鈥淲hatever it is you鈥檙e bringing to me, I鈥檓 blessed to have it鈥攁nd I鈥檓 sufficient if I don鈥檛.鈥

    The second part is accepting that I鈥檓 flawed. I make mistakes. And if I want grace extended to me, I must extend it to others. That鈥檚 what a loving relationship is 鈥 a flow of forgiveness, of empathy, of understanding.

    Also, I鈥檓 an introvert. I have limited emotional energy 鈥 and no desire to increase it. It鈥檚 actually strategic for me to maintain my relationships, because I have no intention of making new friends. So it鈥檚 in my best interest to hold on to the good ones.

    I鈥檝e also never experienced betrayal from my close friends. Not once in over 20 years. I鈥檝e never said something to a friend and heard it repeated outside. And that means everything to me. If you talk about your friend in public and then go back to being friends, I don鈥檛 understand that. To me, a friendship without trust isn鈥檛 a friendship.

    What does your relationship with your mother mean to you?

    My mother is tailor-made for me. If I didnt love my mother, I wouldn’t talk about her. I don’t do that performance people do. My mother has been a pastor with Mountain of Fire and Miracles Ministries since I was around 21 or 22. But when I turned 18, she said to me, 鈥淵ou鈥檙e old enough now to choose your own church. I want you to go to MFM, but you should choose your own church.鈥 That moment was massive. One of the reasons I still have faith today is because my mother allowed me to find it for myself. She didn鈥檛 impose it. She gave me space to explore and choose.

    When I was 15, I wanted to study Mass Comm. She sat me down and said, 鈥淚 think you should study law 鈥 but of course, I won鈥檛 force you.鈥 And then she explained: 鈥淚f you study journalism, you can鈥檛 practice law. But if you study law, you can still practice journalism. Why not give yourself more options?鈥 It was such a reasonable and strategic argument. That鈥檚 why I chose law.

    There鈥檚 another moment I鈥檝e never forgotten. I was about 7 years old. My mother called me and said, 鈥淚鈥檓 going through a really difficult time in this marriage. But I will not leave 鈥 because you are such a sensitive child. And if I leave you for another person to raise you, they鈥檒l break you.鈥 She made it clear she wasn鈥檛 staying for appearances or tradition. She stayed because of me. That kind of love 鈥 sacrificial, intentional 鈥 it stays with you forever.

    That鈥檚 the kind of relationship I have with my mother. There are no secrets between us. Even when we disagree 鈥 and we do disagree, especially on the Bible 鈥 I trust her completely. I remember once, as a child, I did something she considered shameful. She caught me. I could have lied my way out of it, but I didn鈥檛. I thought to myself: if there鈥檚 anyone in the world who would still love me after this, it鈥檚 my mother. Why lie to the one person who loves you the most?

    She means so much to me.

    What would you say to someone who has no faith?

    I think that鈥檚 completely fine. My book, How Depression Saved My Life, will be published by Narrative Landscape in August; it鈥檚 a memoir and essay collection that proposes a particular Africa-centred philosophy of the world.

    There鈥檚 a chapter called 鈥淪piritual鈥 that explains this in detail, but I鈥檒l summarise it: if you really read the Bible (which I have, cover to cover, twice), you notice something 鈥 you don鈥檛 need to find God for God to find you. Samuel just heard a voice at home; Moses was a murderer and fugitive who found God while walking 鈥 meaning all the performance (preaching, coercing) is often a misreading of faith, because Jesus said if people aren鈥檛 interested, move on.

    If you truly believe in the power of your God, you won鈥檛 panic when someone says 鈥淚鈥檓 not interested鈥; you鈥檒l trust that God can find anyone, in their own time, in their own way. In 2016, during a period of deep depression, I wanted to become an atheist 鈥 I read Why God Is Not Great, The Australian Book of Atheism, and more 鈥 but by the end, I found God. I met an experience that went beyond logic, that I love and connect with, and even while honouring the brilliance of atheism and agnosticism, I have faith; both things can exist at once.

    What happened with YNaija?

    I tell people that the YNaija franchise began vertical culture in media in Nigeria because, at some point, YNaija was the mother brand, inspired directly by Gawker.

    We had Tech Africa for tech, Enterprise54 for business, The September Standard for fashion, and TeenY for teenagers, but I lost my nerve.

    I was doing something so original that I didn鈥檛 have models for it, we didn鈥檛 have funding, advertisers didn鈥檛 understand it, and I felt like this crazy idea nobody cared about, not realising I was pioneering a model the market was about to respond to.

    The media content business was dragging the profitability of the group, and an incident 鈥 when I published a controversial article for open debate and got backlash 鈥 made our clients call and created internal doubts about my leadership.

    At some point, I lost my nerve, thinking the culture wasn鈥檛 ready and I was prizing my desire to build a complex brand over success, and I always tell young people: don鈥檛 assume the people before you know what they鈥檙e doing 鈥 listen to your gut after examining the data.

    If I were going back, I鈥檇 have had the confidence to know I was building something beautiful, but the focus on Red Media Africa, StateCraft, and The Future Awards had its benefits: Red is a top PR company, StateCraft works with development organisations like UNDP, and The Future Awards remains the premier youth recognition platform.

    Now, there鈥檚 a CEO of YNaija, my former assistant Abiola Williams, doing a great job, and we鈥檙e in a two-year-long reinvention of the brand that will be unveiled next year 鈥 taking our time to find YNaija鈥檚 unique place in the culture, building out a team, and returning to take our place without me, because I have other priorities.

    The news media business is moving away from advertising to audiences paying for subscriptions and event tickets. What do you think?

     I think it鈥檚 beautiful 鈥 and it鈥檚 exactly what I鈥檓 doing with my brand. When I was talking to my promoters 鈥 and I鈥檓 very grateful to them for investing 鈥 they suggested I reach out to my sponsors, since I have a wide network. But I said no. That would make us lazy. If I get a sponsor to fund it, I won鈥檛 understand how to connect with the audience. I won鈥檛 learn how to sell to them. I won鈥檛 build a deep connection. We鈥檇 be obese with money and dependent on sponsors forever.

    We have already had thousands of subscribers for #WithChude for years鈥 an audience we discovered and nurtured over the years. If you find a way to speak to the audience, they will respond. Maybe we get it right, maybe we get it wrong, but this is the future of media: speaking directly to people.

    If sponsors want to come, fine. But our energy must go into getting people to buy those 鈧20,000, 鈧50,000, 鈧150,000 tickets. That鈥檚 what I want to pioneer. That鈥檚 what we are pioneering. There is a real market. We talk too much about Vice, BuzzFeed, Vox, and Call Her Daddy 鈥 and too little about Instablog, Tunde Ednut, Linda Ikeji, and Funke Akindele.

    Instablog is a legitimate media institution. They may not describe it in fancy terms, but just because they don鈥檛 sit at conferences explaining complex business models doesn鈥檛 mean they don鈥檛 have one. We haven鈥檛 spent enough time in Nigeria understanding how the audience decides. But year after year, Kayode Kadum, Toyin Ibrahim, Jade Osiberu do it for films.

    The Nigerian audience is difficult 鈥 it鈥檚 easy to give up. But if you don鈥檛, there are great rewards.

    Where do you see yourself in five years?

    My campaign hashtag for the year is Oprah鈥檚 first son, because Oprah isn鈥檛 just a billionaire or media icon, she鈥檚 a spiritual icon whose sense of mission inspires me deeply.

    I want to create an army of independent content creators across Africa and the world 鈥 not telling African stories to the world, but for Africans, for people who want to stay in Mombasa, Malindi, Hermanus, Burkina Faso, and tell native stories to each other.

    Over the next five years, I鈥檓 collaborating with creators to build an independent media model that tells organic African stories, and we鈥檝e already partnered with CcHub in Nigeria and Kenya, with work expanding to Senegal, Mali, and Burkina Faso.

    It鈥檚 hard to crack the African content market, but I believe independent creators can do it, and I鈥檓 putting my money where my mouth is by investing in content from across the continent.


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