Tomide Marv, Author at 91��!

20 Times Davido Was the Perfect Feature Artist

Tomide Marv — Thu, 30 Jul 2026 15:15:24 +0000

is a feature cheat code. For over a decade, putting O.B.O on a track has been a quick way to guarantee a hit song. He brings his signature raspy vocals, infectious ad-libs and a hyperactive presence that always hijacks the song. Hand Davido a hook, and he’ll hand you back a hit. The proof isn’t just in his own chart-topping singles; it’s in everyone else’s, from rising acts and legends alike.

As we await Oriade, his sixth studio album — set to come tomorrow — we look at 20 songs that spotlight him at his collaborative best. Some launched careers, became defining hits, and others proved that sometimes all a great song needs is the right feature at the right moment.

20. “” — Lola Rae feat. Davido (2018)

Lola Rae had just been signed to Davido Music Worldwide as the label’s “first lady,” and this romantic, dance-driven record doubled as her flagship DMW rollout. The title, Igbo for “please,” sets the pleading, love-struck tone, and Davido’s romantic guest verse elevates it to an airwave banger. This is him giving his newest signee a co-sign and a great verse.

19. “” — Russ feat. Davido (2021)

This is one of Davido’s cleaner international linkups. Though it’s a Russ single, Davido is firmly in the driver’s seat. He opens the track, handles the hook and sets the vibe before Russ slides in with a verse name-dropping jollof and suya. The American rapper sought out Davido to provide an authentic Afropop flavour, and OBO rewarded that commitment with a feature that engineered a cross-cultural groove.

18. “” — Sinzu (FKA Sauce Kid) feat. Davido (2011)

This is one of the earliest pieces of evidence that a teenage Davido possessed immense star power. As a newcomer fresh off his own breakout, Davido gives a memorable chorus that carries Sinzu’s rap verses. “Carolina” became an instant club hit and proved that Davido was a great feature asset.

17. “” — Odunsi, the Engine feat. Davido (2018)

This feature has to be the most left-field pick here, and one of the most rewarding. From Odunsi’s landmark album rare, comes “divine.” It’s a bouncy, retro-tinged R&B cut with a romantic, wordplay-heavy lean. Hearing Davido step into the vanguard alté space is a delight. He adapts his delivery to the song’s cooler, jazzier style; evidence of range too few of his features get credit for.

16. “” — BoyPee, Hyce & Brown Joel feat. Davido (2024)

This remix is a prime example of Davido’s long-standing habit of elevating rising talent. The original track by BoyPee, Hyce, and Brown Joel was already gaining traction, but Davido’s co-sign and verse turned it into a smash hit. He smoothly adapted to the upbeat, joyful mood of the song.

15. “” — DJ Neptune feat. Davido (2020)

From the Greatness era, this Speroach Beatz–produced record (with guitar flourishes from Fiokee) finds Davido wearing his heart on his sleeve — an airy, romantic ode to a crush, complete with a stuttering, DJ-scratch–style vocal hook that makes the whole thing stick. One of DJ Neptune’s signature guest showcases and a reminder that Davido’s softer, love-struck mode lands just as hard as his flexes.

14. “” — Larry Gaaga feat. Davido (2018)

This track was a big club hit curated by music executive Larry Gaaga. Davido carries the entire vocal performance, giving a catchy, money-centric composition over a bouncy, bass-heavy beat. It’s another example of Davido’s ability to take a relatively simple concept and turn it into a replayable, sticky groove.

13. “” — Reminisce feat. Davido (2014)

Off Reminisce’s Alaga Ibile album, “Daddy” (often referred to as “Daddy Mi”) is an enjoyable fusion of Nigerian hip-hop and Afropop. It’s a song about surpassing the heights their fathers reached. Davido’s hook adds accessibility, turning the song into more than a rap song. This is easily one of the strongest rap-pop collaborations of its era.

12. “” — Runtown feat. Davido (2014)

This is a career-defining song for Runtown. It’s produced by TSpize and was set up when Timaya connected the two artists in the studio. Davido brought a fast-paced, breathless flow that matches the song’s theme of speed and luxury. The Davido connection ran deep: the same creative orbit produced Davido’s own smash hit “Aye.”

11. “” — Chris Brown feat. Davido & Lojay (2023)

“Sensational” is arguably Davido’s biggest crossover moment on this list. It’s a song from Chris Brown’s 11:11 album. Davido’s romantic, melodic turn holds its own beside one of R&B’s biggest stars. This song gave both Davido and Lojay their first-ever Billboard Hot 100 entry, topped Billboard’s Adult R&B Airplay chart for multiple weeks, and won two NAACP Image Awards.

10. “” — Lil Kesh feat. Davido & Olamide (2014)

This remix turned a street dance into a national craze. Lil Kesh’s original “Shoki” was already spreading through Lagos as the signature dance step of the moment; the YBNL-issued remix stacked Olamide and Davido and gave it the star power to go fully mainstream. Davido’s verse rides the shuffling, chant-driven beat with charisma. It was one of the defining crossover records of 2014 and a launchpad for Lil Kesh, one of the era’s biggest breakout acts.

9. “” — Adekunle Gold feat. Davido (2021)

Adekunle Gold’s folk-inspired songwriting and Davido’s populist appeal bring the two pop stars together in the middle on themes of money, drinks, and good times. The blend of party spirit and lyricism makes it a fan favourite across both camps.

8. “” — Kcee feat. Davido (2015)

This hyper-fast track saw Kcee tap into Davido’s boundless spirit for the remix. Davido delivers a verse full of playful bragging that goes with the song’s party-ready ambience. His voice injects extra urgency into the song with lines like: “And every young boy wanna be me now / They wanna be me now.”

7. “” — Tekno feat. Davido (2013)

Before Tekno became one of Afrobeats’ most important hitmakers and producers, there was “Holiday”, a single from 2013 featuring Davido. It’s a snapshot of two future superstars in their ascendant years, with Davido lending his then-rising star power to a young Tekno. It’s a historically significant footnote in both artists’ catalogues.

6. “” — Mayorkun feat. Davido (2018)

“Bobo” was a major moment for Davido’s label, DMW. Davido’s verse is playful and boastful, complementing Mayorkun’s witty lyrics. His appearance feels like a stamp of approval rather than a takeover, showing why so many artists benefit from having him on a record. The “na money be fine bobo” hook was inescapable and a perfect encapsulation of the DMW family sound at its peak.

5. “” — Humblesmith feat. Davido (2016)

This remix came at a time when Davido was going through personal challenges, specifically the publicised custody battle involving his first child and the Momodu family. Humblesmith’s song was already a success, but Davido used his verse on the remix to directly address the controversy with lines like “No be by force to go Dubai.” His candid verse cleared the air and also propelled the song to mainstream acclaim.

4. “” — Skales feat. Davido (2015)

From Skales’ Man of the Year album, “Always” is a breezy love song built on generous promises such as money, shopping, visas, whatever the girl wants. Davido’s verse leans into that romantic braggadocio. It’s one of the more melodic entries on this list and a highlight of Skales’ discography.

3. “” — Falz feat. Davido & Olamide (2016)

This song is a big collaboration built around the larger-than-life personas of Falz, Olamide and Davido. Falz brings witty, humorous lyricism; Olamide represents the street; and Davido drops what becomes the most talked-about verse. He throws shade at media magnate Dele Momodu with the famous line “Mr. Dele na my boy,” stealing the spotlight and turning a great rap song into a cultural moment.

2. “” — Kizz Daniel feat. Davido (2018)

Kizz Daniel’s “One Ticket” is one of the most beloved Davido collaborations, full stop. It threads a bittersweet needle; loving someone deeply while leaving the door open for them to walk. The two of Nigeria’s finest melodists trade lines effortlessly, and the result is a sweet song that stands as arguably their best song together.

1. “” — Skiibii feat. Davido (2021)

Skiibii’s original was a hit; the Davido remix made it a monster. It’s a song about living the big boy life, something Davido knows about very well. On the remix, O.B.O opens his verse with the envy and bitter emotions that come with greatness. He’s lyrically at his best, and he rides this production beautifully. It’s a textbook example of the “Davido remix bump” — his verse relaunches the song commercially.

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10 Nollywood Movies For When You Want Just Drama, Nothing Else

Tomide Marv — Tue, 28 Jul 2026 13:48:48 +0000

Sometimes, you don’t want subtlety in movies. You want shouting matches, betrayals, family secrets, heartbreak and plot twists that leave everyone better or worse off than they started. These 10 Nollywood movies understand the assignment and serve drama in generous portions.

1. (2022)

Running time: 2h 20m

Director: Funke Akindele

A lifelong rivalry boils over when Yejide (Funke Akindele) and her half-sister Awele (Mercy Johnson-Okojie) open rival bukas on the same street, reviving a family feud that began with their mothers, Asake (Sola Sobowale) and Ezinne (Tina Mba). Anything one party does is seen as an act of sabotage against the other, and it becomes another chapter in a battle that neither woman is willing to lose.

The movie never lets the tension cool. Though it has humour, this family drama is driven by pride, jealousy and years of unresolved resentment.

2. (2021)

Running time: 2h

Director: Biodun Stephen

Sunmi (Timini Egbuson) wakes up one day to discover that his privileged life has vanished. He’s left to survive as an ordinary bread seller. His unexpected friendship with Todowede (Bimbo Ademoye), the bread seller who takes him in, forces him to confront the realities of hardship and responsibility while searching for answers about the life he lost. Every revelation pushes Sunmi further from the guy he used to be.

3. (2025)

Running time: 1h 45m

Director: Niyi Akinmolayan

Imuetiyan (Efe Irele), a young London-based fashion editor, returns home to Edo State to bury her mother. But she gets back only to discover she’s been deceived. Her mother (Mercy Aigbe) is still alive, though in poor health, and she’s been lured back into a painful past she swore never to revisit.

This movie explores family trauma: how love and pain can coexist, and how what we inherit from our parents isn’t always understood.

4. (2018)

Running time: 1h 44m

Director: Daniel Oriahi

For as long as he can remember, Richard Okezie (Chris Attoh) has belonged to Sylvia (Zainab Balogun), a mysterious spirit who has claimed him since childhood. But when he falls in love with Gbemi (Ini Dima-Okojie) and chooses a future with her, Sylvia’s obsession turns his search for happiness into a terrifying struggle.

It comes with scares, but the drama rises through longing, jealousy and psychological tension. Every choice Richard makes comes at a painful cost. Sylvia is as tragic as it’s haunting.

5. (2014)

Running time: 2h 28m

Director: Kunle Afolayan

With Nigeria’s independence only days away, Inspector Danladi Waziri (Sadiq Daba) is assigned to investigate the murders of several young women in the small town of Akote. As his investigation uncovers buried secrets involving respected members of the community, the line between justice and silence becomes blurred. October 1 is structured as a murder mystery and it draws its strength from the truths hidden beneath the surface.

6. (2026)

Running time: 2h 25m

Director:��Great Valentine Edochie

Sibe began as Bimbo Ademoye’s hit web series in which she plays the titular Sibe, a resourceful woman who takes on every odd job imaginable. From bodyguard to carpenter, waitress, and dispatch rider, this movie shows Sibe stumbling through comic mishaps in her professional and personal life. The drama here is the everyday hustle turned up to a hundred. This is the chaos of a woman doing whatever it takes to survive.

7. (2023)

Running time: 1h 36m

Director: Walter Taylaur

Best friends Uche (Nse Ikpe-Etim) and Toyin (Dakore Egbuson-Akande) fall in love with the same man, Sunday (Oris Erhuero). This romance places their years of friendship on a collision course. As feelings become impossible to ignore, every decision threatens to leave someone heartbroken. The movie explores the complexity of friendship, loyalty, love and timing.

8. (2014)

Running time: 1h 35m

Director: C.J. Obasi

When a mysterious infection sweeps through a Lagos neighbourhood, Romero (Gabriel Afolayan) and a handful of residents become trapped in a desperate fight for survival as neighbours transform into bloodthirsty vampires. The horror brings the thrills, but the drama comes from the characters’ need to survive together. Fear and distrust turn ordinary relationships into enmity.

9. (2026)

Running time: 1h 59m

Directors: Tope Adebayo and Tijani

Years after peace is restored to the kingdom of Ajeromi, greed, betrayal and the breaking of an ancient seal plunge the land back into darkness. This pandemonium forces the dreadful king of thieves, Agesinkole (Femi Adebayo), to return and unleash magical forces and a brutal quest for dominance that can’t be contained. Agesinkole is a terrifying force of nature, and the magical power struggles keep the tension at a boiling point from start to finish.

10. (2018)

Running time: 2h 49m

Director: Kemi Adetiba

Eniola Salami (Sola Sobowale) has spent years building influence across Lagos’ political and criminal circles, but her decision to pursue elected office throws her into a ruthless battle against old allies, ambitious rivals and enemies who have been waiting for her to fall. As loyalties shift and bodies begin to pile up, every move she makes carries dangerous consequences. Here, trust is scarce and survival often demands impossible choices.

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The 10 Producer-Artist Duos That Never Missed

Tomide Marv — Mon, 27 Jul 2026 14:24:34 +0000

The biggest stars rarely make their biggest music alone. Behind many era-defining Nigerian artists is a producer who knew how to bring their ideas to life, shape signature sounds, unlock career-making performances and create songs that outlived the moment.

From the partnerships that introduced superstars to the duos that reinvented genres, these are 10 producer-artist pairings that made hits and together changed the direction of Nigerian music.

1. and

Few producer-artist duos have ever owned a calendar year the way ��’T�ܲԱ�� and Iyanya did in 2012. After Iyanya’s early career struggled to gain traction following his Project Fame win, ��’T�ܲԱ�� helped redesign his sound around danceable, percussion-heavy music. The breakthrough came with “Kukere,” before they doubled down with “Ur Waist,” “Flavour,” “Sexy Mama” and several records from Desire, the album that turned Iyanya into one of the country’s biggest pop stars.

2. and

Davido’s rise to superstardom cannot be discussed without Shizzi. They started with “Dami Duro,” the 2011 hit single that took Davido from a wealthy newcomer to the hottest young artist that year. From there came an uninterrupted run of anthems, including “Gobe,” “Skelewu,” “Aye,” “Tchelete (Goodlife),” “Fans Mi,” “The Sound,” “Like Dat” and several standout album cuts across Davido’s catalogue.

3. and

Before Burna Boy became a Grammy-winning global superstar, LeriQ helped craft the sound that introduced him to the world. As the primary producer behind L.I.F.E (2013), LeriQ made a rich fusion of reggae, dancehall, hip-hop and Afro-fusion that powered songs like “Like To Party,” “Yawa Dey,” “Run My Race” and “Tonight.” Their collaboration continued through Redemption and later records like “Way Too Big” and “Monsters You Made.”

4. and

ID Cabasa was more than 9ice’s producer. He was his mentor and music producer during the singer’s early years at Coded Tunes. Cabasa produced much of Certificate and the critically-acclaimed Gongo Aso album, helping make classics like “Gongo Aso,” “Street Credibility,” “Photocopy,” “Party Rider” and other songs that solidified 9ice as one of Africa’s most outstanding indigenous artists.

5. and

K-Solo and Timaya built one of the most impactful artist-producer partnerships of the mid-2000s pop era. They worked closely on True Story and Gift and Grace. K-Solo produced many of the songs that pushed Timaya’s voice to the mainstream, including enduring hits like “Dem Mama,” “Ogologoma,” etc.

6. and Da Grin

Although their work relationship was tragically brief, Sossick and Da Grin permanently changed Nigerian hip-hop. Sossick produced influential songs like “Pon Pon Pon” and other popular jams on C.E.O., the album that cemented Da Grin’s legendary status before his untimely death in 2010.

7. and

Few Nigerian producer-artist partnerships have lasted as long or produced as many hits as Pheelz and Olamide. Beginning with YBNL, Pheelz became the main producer behind Olamide’s evolution. He produced many albums, including Baddest Guy Ever Liveth, Street OT, Eyan Mayweather and The Glory. Together they delivered famous songs such as “Durosoke,” “First of All,” “Anifowose,” “Melo Melo,” “Lagos Boys” and “Bobo.”

8. and

The story of Wizkid’s rise begins with Samklef. As one of the chief producers behind Superstar (2011), Samklef crafted some of the album’s biggest songs like “Don’t Dull,” “Tease Me/Bad Guys” and “Pakurumo.” Those songs introduced Wizkid as a fresh, youthful voice capable of balancing pop appeal with street credibility. Their partnership may not have lasted for years, but its impact can’t be erased. The sound they created became one of the foundations of modern Afropop, and Superstar remains one of the most influential debut albums in Nigerian music history.

9. and

Masterkraft and Flavour have spent nearly two decades refining modern Igbo highlife for mainstream audiences. Across albums such as Blessed, Thankful and Ijele: The Traveller, Masterkraft produced many of Flavour’s biggest songs and has helped preserve the rich musical traditions that make up the singer’s discography.

10. and

Their artist-producer partnership began on Stories That Touch (2015), where SESS is the album’s primary producer and helped sharpen Falz’s witty, conversational rap into something more musically adventurous. They made songs like “Ello Bae,” “Soft Work,” “Karishika” and “Soldier” (with Simi), before continuing their chemistry on the Chemistry EP with Simi, the 27 album and the widely-acclaimed Moral Instruction, which SESS largely produced.

ALSO READ: How Nigerian Music Walked Into Football’s Biggest Stage

How Nigerian Music Walked Into Football’s Biggest Stage

Tomide Marv — Fri, 24 Jul 2026 13:04:56 +0000

Ask a certain generation of Nigerians about their first memory of hearing their local music in a video game, and some will name (2006) in a pirated version of PES/Winning Eleven. For some, it was “For Instance” and other songs. Officially, Konami never put them there.

PES/Winning Eleven is Konami’s football game series, the one that reigned in Nigerian game centres through the 2000s alongside FIFA. It came pre-installed with composed instrumental music and stadium staples, like Queen’s “We Will Rock You.” There were no Nigerian songs on it. The 2Baba and other local songs were a bootleg among Nigerians to create a familiar sound while gaming.

This is the unofficial origin of Nigerian music in football and football gaming. The song didn’t get there through a licensing deal. It was through piracy. Bootleggers who copied and resold the game swapped its audio, so a whole generation grew up with a Nigerian song built into their football game. Nigerian music got into football through the back door, facilitated by the very people playing it.

But music has always gone hand in hand with football, and it’s through EA’s FIFA franchise, which launched in 1997, that it became part of gaming. FIFA: Road to World Cup 98 was the first game in the series to license real pop music (not commission its own). Blur’s “Song 2” blared over the intro. That was the beginning. Under Steve Schnur, who has run EA’s music operation for most of the years since, the FIFA soundtrack became a tastemaker. The soundtracks became the reason a teenager in Lagos or London might discover Phoenix through FIFA 09 or Sigur Rós through FIFA 11. EA chose the songs and, in doing so, shaped global taste in music. “That’s a FIFA song” became its own category of music.

Africa began showing on that official stage before the decade was out. (sung partly in Nigerian Pidgin) on the 2009 FIFA 10 soundtrack. This makes her the first Nigerian artist on an official FIFA game.

The next year, EA built a dedicated soundtrack for its 2010 FIFA World Cup South Africa game, and Schnur singled out the Nigerian drummer Babatunde Olatunji among other African artists. But that was world-music curation for a tournament staged in Africa, not Nigerian pop music. Afropop, soon to be everywhere on the current soundtrack, was still warming up.

The big breakthrough came on FIFA 20. London-based on the official soundtrack. There was also “Awa Ni” by American duo The Knocks with Nigerian artist Kah-Lo on it. They became the first of a new generation, and the wave came fast behind them. FIFA 21 brought Fireboy DML’s “Scatter,” with Rema, Skepta and Burna Boy appearing on the game’s VOLTA street-football playlist. By FIFA 23, the presence had swelled: Seun Kuti, Pheelz, BNXN, Olamide, Bad Boy Timz. In the space of four years, Nigerian music went from “Oou, we made it” to expected.

Then it wobbled. When EA dropped the FIFA name and launched the rebranded EA Sports FC 24, Nigerian music was left entirely off the main soundtrack. The only Nigerian on it was Obongjayar, and only through a guest feature on a British rapper’s track. FC25 brought Nigerian music back the next year, with Rema and Shallipopi’s “Benin Boys,” Omah Lay, and Obongjayar again. Then FC26 dropped it once more, leaving Obongjayar—on his fifth appearance across four editions—as the lone Nigerian-born name while bigger stars came and went. The relationship, in other words, is real but not guaranteed. Each year, EA decides again whether Nigerian music is in or out.

ALSO READ: 10 Performances from the 2020s that turned Nollywood Actors Into Stars

Nollywood Actors Whose Characters Have Stuck With Them

Tomide Marv — Tue, 21 Jul 2026 14:43:04 +0000

In Nollywood, sometimes an actor will play a character so exceptionally well that the Nigerian public unanimously decides to shred their birth certificate. It’s the hallmark of a legendary performance in the Nigerian movie industry.

Becoming this iconic takes more than just a great acting performance. The character must establish a distinct cultural persona, birth everyday slang, or capture a specific Nigerian reality so well that the script becomes a part of them. Here’s a look at ten legendary Nollywood actors whose iconic characters have hijacked their real names.

1. Funke Akindele as Jenifa

Before 2008, Funke Akindele was known for her roles in Yorùbá movies. Then came Jenifa, the hilarious village girl trying to live a fake big life on the university campus. Jenifa became such a huge success and cultural reset that Funke Akindele eventually built an alter ego, a movie sequel (the second-highest-grossing in Nollywood), and a television series around the character. Today, millions of Nigerians refer to her as Jenifa and she hasn’t stopped answering the iconic name.

2. John Okafar as Mr. Ibu

The late comic legend lived and breathed the Mr. Ibu character in the 2004 movie of the same title. The character of the dim-witted, funny father with a big belly was so iconic that he gets called Mr. Ibu before John Okafor. Even in media headlines, he was generally referred to as Mr. Ibu until his passing. Today, his cultural staying power remains unmatched, as his iconic facial expressions and funny movie scenes continue to live on as some of the internet’s most viral memes and reaction images.

3. and as Aki and Pawpaw

The 2002 comedy Aki na Ukwa introduced us to two mischievous characters who acted as brothers. The chemistry between Chinedu (Aki) and Osita (Pawpaw) was so natural that they became a package deal in Nollywood for over a decade. Many years later, they’re still globally recognised by these names, especially with Pawpaw becoming a worldwide internet meme sensation.

4. Nkem Owoh as Osuofia

Osuofia in London was a cultural movement when it was released. Nkem Owoh played a cunning, loud village man who inherits wealth and travels to London. While he was already a veteran actor, this specific role cemented his legendary status. You could yell “Osuofia!” anywhere in West Africa in the mid-2000s, and the majority would know exactly who you meant.

5. Hafiz Oyetoro as Saka

If you asked 100 Nigerians on the street for Hafiz Oyetoro’s real name, 95 of them would fail. He’s known entirely as Saka, a comical, slightly naive character he once played and later carried over into viral telecom advertising campaigns, famously porting from Etisalat to MTN.

6. as Mr. Latin

The current president of the Theatre Arts and Movie Practitioners Association of Nigeria (TAMPAN) is known to everyone simply as Mr. Latin. He got the name way back in a 1992 movie titled 50-50. During a scene, he was speaking French, but the movie’s producer mistook the language for Latin and started calling him “Mr. Latin”. The name stuck, and it’s been his brand ever since.

7. Abiodun Ayoyinka as Papa Ajasco

When you say Abiodun Ayoyinka, it rarely rings a bell. But when you say Papa Ajasco, everyone instantly pictures the bald, wrapper-tying, hilarious man hitting his head and shouting “Ojigbigbigbi!” Ayoyinka brought the beloved comic book character to life in Wale Adenuga’s famous television series Papa Ajasco and Company. He completely surrendered his real identity to the role.

8. as Sanyeri

When you hear Sanyeri, the first thing that comes to mind is the tribal-marked actor known for playing a mischievous village rascal in movies. He earned the stage name early in his theatre career, but it permanently swallowed his real identity as he rose to dominate Yoruba comedy in the 2000s and 2010s. Sanyeri often starred alongside his frequent collaborator Adekola Tijani (who similarly adopted his character’s name, Kamilu Kompo).

9. Ime Bishop Umoh as Okon Lagos

In 2011, Ime Bishop Umoh starred in the comedy Okon Lagos, playing a funny, food-obsessed guy from Akwa Ibom trying to navigate life in Lagos. His comedy and heavily accented English were so hilarious that he became a popular face in Nollywood comedy. The viewers loved the character so much that Okon Lagos became his name. He went on to star in several spin-offs (Okon Goes to School, I Come Lagos), establishing the alias.

10. as Mama No Network

Kudirat Atinuke Kazeem found her propeller to fame when she played the character of Mama No Network. The character is a woman who constantly struggles to hear what people around her are saying because she has no “network” in her ears. She’s always quick to say “Enipe” (meaning “you said what?” or “come again?”). The genius of the character lies in her ridiculous misinterpretation of normal conversations. Today, this is her identity and how she’s addressed in both movies and real life.

Nigerian One-Hit Wonders Who Deserved Way More Hits

Tomide Marv — Mon, 20 Jul 2026 16:07:01 +0000

Every music scene has them: the artists who owned the airwaves for one blazing season, then vanished from the spotlight. The Nigerian music scene is especially rich with them. A single song could once dominate every party, every radio station and then define an entire career forever. But the “one hit” is never the whole story. Behind almost every unforgettable smash sits a catalogue of songs that deserved more but never got their moment.

These are the artists, the hits that made them, and their songs worth listening to.

1.

Konga hit big with “Kabakaba,” a mid-2000s street-pop smash featuring Remi Aluko and the late Dagrin. After that peak, nothing stuck the same way. His songs like “Baby Konga”, “Ja Won Si” (with 2Baba), and “Lori Le” with X-Project, kept him working but never restored the spotlight. He’s since left the public eye, remembered almost only for “Kabakaba.”

2.

Jazzman Olofin’s big hit is “Raise Da Roof”, featuring fuji legend Adewale Ayuba. It launched his solo career after his time in the group, X Appeal. A frequently overlooked follow-up is “Eko Ile,” and his 2006 album Mr. Funky. Jazzman is a case of a talented artist whose fame rests almost entirely on one enduring party classic.

3.

Weird MC broke through with “Ijoya” (2006), a Don Jazzy/JJC-produced smash that became a dancefloor hit and won awards. As one of Nigeria’s pioneering female rappers, her influence outweighs her hit count. Her historically important “Allen Avenue” (1996) was one of the first Nigerian songs released as a video single, and tracks like “Iwaju Iwaju (Moving Up)” showed range. But none broke through commercially the way “Ijoya” did.

4.

“Shayo” was Bigiano’s peak. It’s a dancehall-flavoured party anthem that owned airwaves during its time. But the Shayo Master never came close to repeating it. His worthwhile songs like “Iwofa,” “Won Serawon,” and “One & Only”, went largely unnoticed, and even a 2012 single, “Chillings,” featuring a young Wizkid, couldn’t bring back the spotlight.

5.

“Awww” made Di’Ja a name. It’s a tender ballad that became a nationwide favourite among lovers. But her output stayed slim as she stepped back for family, and worthy tracks like “Falling for You,” “Air,” and “Sowemo” never got their due.

6.

Soty went viral in 2006 with “Malaria,” a love song about being lovesick. In her prime, she collaborated with 2Baba and shared stages with the likes of Akon. But that one song has been her whole legacy. She followed up with an album and singles like “Nobody,” “Igbisii,” “Wicked Boyz” and “Guys Dey Love.” She even rebranded as Soty Da Grey, but nothing sold or stuck. She went underground for over a decade, and a 2024 interview brought her back to the public eye. But that was it.

7.

“Hola Hola” (2016) put Sugarboy everywhere. But it stayed his defining moment. Off his debut album Believe (2017), the singles “Double,” “Legalize,” and “Dada Omo” are solid follow-ups but largely forgotten.

8.

“Osinachi”, featuring Phyno, launched Humblesmith to the mainstream and was later remixed with Davido. But he never topped it. “Jukwese” (2016, with Flavour) charted, and his 22-track album Osinachi (2018) was stacked with A-list features like Tiwa Savage, Davido, Olamide, and yet none eclipsed “Osinachi”. Every big name he pulled in couldn’t manufacture a second hit.

9. J’odie

J’odie broke through in 2010 with “Kuchi Kuchi (Oh Baby).” But nothing after that song reached the same heights. Her 2012 album African Woman has sleepers like “Sugar Coconut,” “I Lost My Mind” and “Under the Mango Tree,” and later singles such as “Fresh Palmwine,” “No Running Away,” came and went.

10. Zule Zoo

Zule Zoo blew up in the mid-2000s with “Kerewa,” whose suggestive lyrics and dance got it banned by the Nigerian Broadcasting Corporation (NBC) for obscenity, which only made it bigger in clubs and at parties. They’re credited as pioneers of the “Takuraku” beat, fusing traditional Nigerian sounds with hip-hop and reggae. But “Kerewa” remains their magnum opus. Follow-up releases like “Chin Kpan,” “Angelina,” and “Song for Mama” never came close. The duo split in 2008 after Aboh’s solo album E Dey Pain Me, and they’ve gone quiet.

ALSO READ: ��The 20 Catchiest Nigerian Choruses of the 21st Century

10 Nigerian Fashion Brands That Frequently Sell Out

Tomide Marv — Fri, 17 Jul 2026 17:52:25 +0000

A new generation of homegrown designers is rewriting what it means to get dressed, and the world is paying attention. Celebrity co-signs and international recognition matter, but nothing says they’ve arrived like a “Sold out” announcement minutes after a new release.

These are the brands whose pieces you have to move fast for. The ones with waitlists, restock announcements that send the timeline into a frenzy, and pop-ups that draw crowds across major cities in the country and beyond. Some have built dedicated followings by filling gaps the industry ignores. Others have turned unconventional materials into pieces you’d wear anywhere in the world. What they share is a devoted community that keeps coming back and clothes that disappear almost as fast as they’re released.

Here are ten Nigerian fashion brands that consistently sell out, what they’re known for and what you can expect to pay.

1.

Price range: ₦40,000 – ₦150,000

Bawsty is a size-inclusive womenswear brand for busty, fuller-figured women. The brand is a play on the word “busty,” born out of frustration with clothes that never fit properly. It has grown into one of Nigeria’s best-known slow-fashion names, with a devoted community that’s fondly called “Baws Babes.” Its pieces are supportive, form-flattering dresses, often marketed with the tagline “This model is not wearing a bra,” which is a nod to the built-in support that sets it apart.

Founded in 2022, Bawsty had sold over 15,000 pieces within roughly four years. It’s renowned for selling out almost the moment drops go live, driven by scarcity, FOMO, and strong online community building.

2.

Price range: ₦36,000 — ₦344,000

DYE LAB is a Lagos-based fashion brand founded in 2020. It specialises in Àdìrẹ, batik, and Aso Oke, using locally sourced, hand-dyed textiles. Its signature piece is a modern, colourful reinterpretation of Agbada, reimagined as flowy, oversized kaftan-style dresses.

It got popular for its unique prints, sustainable made-to-order model, and high-profile collaborations, most notably a kaftan collection with British luxury brand Anya Hindmarch. DYE LAB pieces are made to order in limited quantities (often around 15 days to ship), demand routinely outstrips supply.

3.

Price range: ₦137,800 — ₦580,300

This brand is best known for bold, retro-inspired swimwear, resort wear, ready-to-wear and bridal, all drawing on African culture and nature. It’s headquartered in Toronto, with a flagship store in Lagos and a location in New York. It’s one of Nigeria’s most globally recognised fashion exports. It has been worn by Michelle Obama, Kate Hudson, Gabrielle Union, Ciara, and Issa Rae, and has been featured in Vogue.

Note that the price here is the Naira equivalent; it shifts with the exchange rate.

4.

Price range: ₦18,000 — ₦250,000

Bola PSD is a Gen-Z-facing Lagos streetwear label known for nostalgic designs, bold visuals and hype-driven drops. It has run pop-up tours across Lagos, Abuja and Toronto, building a following that spans Nigeria and the diaspora. The brand solidified its status through fast-selling drops, through visibility, like when Rema wore a Bola PSD polo in “FUN” music video. Its mix of creative art direction, jewellery/hardware-heavy “drip” styling and cultural relevance keeps it a streetwear label for the coolest kids on the block.

5.

Price range: ₦156,000 — ₦600,000

KAI Collective is a London-based contemporary womenswear brand built around celebrating women’s bodies through well-fitting dresses. Its defining moment was the 2020 launch of the Gaia dress, a semi-sheer, swirl-print mesh maxi that went viral and was named “dress of the year” by OkayAfrica. It appeared on Saweetie and Michaela Coel, and was featured in Beyoncé’s Black-owned business directory. KAI is in such high demand that it sells out almost immediately at launch and spawns countless knock-offs.

6.

Price range: ₦30,000 — ₦150,000

The name means “double” in Yorùbá, and the brand blends a Y2K aesthetic with African heritage. Think stretch-mesh tops, baby tees, matching sets, and skirts printed with Danfo buses, vintage Nigerian packaging, and its “Meji Meji Mama” character. Meji Meji positions itself as an archive, turning family memory and everyday life in Lagos into wearable storytelling. It has become a Gen-Z favourite with major celebrity co-signs including Tems, Ayra Starr and Tiwa Savage, driving sales.

7.

Price range: ₦250,000 — ₦750,000

Hertunba is a sustainable womenswear fashion brand known for architectural shapes and fluid tailoring. Its style is built around traditional Nigerian textiles, and is notably pioneering in its contemporary use of Akwete cloth (as well as Aso Oke). They’re reimagined into tailored dresses, kaftans, blazers and suits. Sustainability is core: the brand upcycles production waste and channels a portion of profit toward adult education for underprivileged Nigerian women. Its royalty appeal and heritage storytelling make it a repeat favourite.

8.

Price range: ₦14,000 — ₦93,000

CIAR is a made-in-Nigeria women’s fashion brand. It describes itself as fast fashion done right: quality clothing at affordable prices, fully sourced and made in Nigeria. Its aesthetic is sharp tailoring and subtle sensuality. Its designs range from resort wear to showstopper dresses. CIAR has built strong traction as a go-to for occasion and evening looks. Due to its dedication to locally made, on-trend pieces at accessible prices, it remains in high demand.

9.

Price range: ₦70,000 — ₦400,000

Named after the historic heart of old Lagos, the brand pays homage to the city’s heritage. Its pieces come in linen, organza, Adire and hand-me-down Aso Oke (a reimagination of Derin’s mother’s Aso Oke into modern, passed-down-worthy pieces). The brand does pop-ups, held everywhere from Lagos and Port Harcourt to Paris, that draw crowds and sell out quickly.

10.

Price range: ₦75,000 — ₦350,000

Melira is a contemporary womenswear brand known for fine detailing and handcrafted pieces. Melira grew from a one-bedroom operation into a brand reporting millions of naira in revenue by building buzz on X and Instagram. She recently shifted from made-to-order toward ready-to-wear to serve demand faster. Its signature dresses (Solene, Luna, Mira, Nirela) are released in limited runs and sell out quickly among its young-women audience.

ALSO READ: A Dress Mishap at 16 Inspired Oluwasewa Akinrimisi to Build a Global Fashion Brand

The 20 Catchiest Nigerian Choruses of the 21st Century

Tomide Marv — Thu, 16 Jul 2026 14:33:11 +0000

The chorus is an important element in music. A great chorus barges into your head, settles in and refuses to leave. You hear it once, and before you know it, you’re humming it everywhere.

Nigerian pop has produced hundreds of memorable choruses over the last 25 years, but some have become unforgettable. These are the choruses that launched dance crazes, inspired remixes, crossed borders, filled stadiums and are still bangers today. From timeless classics to global anthems, here are 20 Nigerian choruses that have outlived the moment that created them.

1. “” — Olu Maintain (2007)

The “Yahooze” chorus was impossible to escape in 2007. It’s built around repetition and a dance craze of the same name, turning simple lyrics into a nationwide anthem. The infectious chorus “Ya-hoo-ze, yahooze / Ya-hoo-ze, yahooze” is just sounding out the song’s title, but the melodious, staccato of Maintain’s voice makes it catchy. It was a staple at parties for years after its release.

2. “” — P-Square (2007)

“Do Me” is P-Square’s magnum opus of club anthems. “So make you do me (do me 6x)” is a repeated, playful plea that complements the duo’s dance-pop production in this song. The driving bassline and Waje’s unique background vocals gave the chorus and the track as a whole its selling point. It was one of the defining pop songs of its time.

3. “” — Styl-Plus (2008)

At one time, this song was the graduation anthem across the country. It taps into the triumph of completing a university education in Nigeria. The chorus is also the most catchy part: “Four years don waka / We still dey carry go / Nobody waka / Nobody go solo.” The catchiness comes from the group’s layered vocal delivery. Its pidgin English relatability makes it a nostalgic sing-along that guarantees a loud response at any reunion or graduation party.

4. “” — 9ice (2008)

The booming “Gongo Aso” chorus became a popular catchphrase almost overnight. The aggressive, percussive flow and the indigenous flavour of the Yorùbá lyrics in the chorus was everywhere. And people loved it. Unarguably, a top-2 song of the year it came out.

5. “” — Wande Coal (2009)

Yes, this song is a relentless, uptempo party track driven by Wande’s incredible vocal agility and well-placed ad-libs. But the chorus is the party fuel. “Bumper to bumper, make you follow me…” gives you something to party and dance to till date. A Wande Coal and Afropop classic song.

6. “” — Bracket (2009)

Bracket struck gold with this chorus: “With you everything is welli-welli / Your love dey make my heart do yori yori.” It’s a made-up phrase meant to express an overwhelming feeling of love, and its repetition makes the chorus catchy. Its simplicity is its strength; the chorus is easy to remember and hard to forget.

7. “” — Dagrin (2009)

The repetitive “Mo lenu bi, pon, pon, pon, pon” line, backed by booming Hip-Hop production, created a chorus that audiences could instantly shout back, whether at concerts or on the streets. It’s a chest-thumping track that commands the room the second it plays. The late Dagrin revolutionised indigenous Yorùbá rap, and “Pon Pon Pon” remains his undisputed magnum opus.

8. “” — Ice Prince feat. Brymo (2011)

The instantly memorable “Oleku, tell me something wey I no fit do..” chorus is one of the greatest in Nigerian pop music history. It’s melodic, easy to sing, and balances Ice Prince’s cool-headed rap verses with a chorus everyone can sing along to. erformed by Brymo, the chorus of this rap song contributed to its status as a continental mega-hit.

9. “” — P-Square feat. May D and Akon (2011)

“Chop my money, chop my money / I don’t care, ‘cause I get am plenty” goes the chorus of this smash hit by P-Square. It’s the repetition and the sheer audacity of inviting someone to spend all your cash, chanted over a pulsing club beat, that makes it an inescapable singalong for the fans, big spenders and aspirational hustlers.

10. “” — Wizkid (2014)

Named after the Lagos neighbourhood, “Ojuelegba” is Wizkid’s ode to struggle and triumph. Its chorus is carried by emotion more than his vocal work. Its melody and repeated title make an unmistakable chorus: “Ni Ojuelegba o, they know my story / From Mo’Dogg’s studio, I been hustle to work.” This uplifting chorus is central to the song’s lasting impact.

11. “” — Olamide (2015)

Olamide created a cultural moment with “Bobo.” Its chant-heavy chorus and the accompanying “shakiti bobo” dance made it a club and street hit. The chorus became one of the most prominent from his commercially dominant run and the mainstream at large in the mid-2010s.

12. “” — Runtown (2016)

“Mad Over You” gave Runtown one of his biggest hits. The mellow, sway-inducing chorus is romantic and undeniably singable. “I dey mad over you, girl / I dey mad over you, girl” is a repeated declaration of affection that’s easy to remember. Straight banger.

13. “” — Tekno (2016)

The cheeky lyrics: “They say you like wahala o…I get am for here…Folake give me love o” — and the bouncing melody rides over the production with remarkable ease. It’s definitely one of the biggest songs of 2016.

14. “” — Davido (2019)

Davido’s “If I tell you say I love you…” chorus is conversational, romantic and catchy. The lines flow smoothly and feel like something people actually say, rather than just lyrics. That accessibility makes this chorus one of the biggest sing-alongs in Afrobeats history.

15. “” — CKay (2019)

The “Ah ah ah…” is one of the simplest yet most effective choruses in Afropop. The lyrics mix English, Pidgin, and Igbo. The vocal performance is a humming melody that creates a hypnotic, catchy chorus universally accessible.

16. “” — Rema (2021)

“Calm Down” has one of the most unmistakable choruses of modern Afropop. The repeated “Baby, calm down, calm down…” hook is simple and melodic. This chorus was on so many lips that it went global; got a remix with Selena Gomez, and set records as the most successful African song of all time on the Billboard Hot 100.

17. “” — Ladipoe feat. BNXN (2021)

The chorus says: “I like the way I’m feeling now / No come use your reggae spoil my blues and rhythm now.” Rapper Ladipoe teamed with singer BNXN for a feel-good song whose chorus became everyone’s favourite part. It’s about having interrupted joy and chasing away bad energy.

18. “” — Ayra Starr (2021)

“Rush” is one of the most popular songs of the 2020s. “E dey rush, e dey rush well, well / E dey rush” makes up the chorus. The slang “e dey rush” (meaning abundance or overflow) made this song sit on everyone’s lips. The simple yet punchy chorus is celebratory and confident; a young Starr revelling in momentum and gratitude. It went viral on TikTok and earned her a Grammy nomination.

19. “” — Burna Boy (2022)

Burna Boy turned heartbreak into a big hit song. “Last, last, e don cast / Na everybody go chop breakfast” on the beat drop makes a party go crazy. The chorus is honest, catchy and made around everyday language that listeners quickly embraced. “Chopping breakfast” is Nigerian slang for getting your heart broken. Its emotional relatability made it one of the defining global Afrobeats records of the decade.

20. “” — Kizz Daniel feat. Tekno (2023)

“Buga” is built around one irresistible instruction: show yourself off. The chorus is repetitive and celebratory; the “lo lo lo” refrain and its accompanying dance made it impossible to ignore even for older folks. It’s a song for crowd participation.

10 Nigerian Remixes That Beat the Original

Tomide Marv — Tue, 14 Jul 2026 14:38:24 +0000

Some songs just need one more ingredient. Sometimes it’s a superstar feature or a new verse or a different production or another kind of chemistry that makes you forget there was ever another version. Nigerian music has produced plenty of remixes, but only a handful have outperformed the original.

From the mid-2000s dance-floor staples to the 2020s smash hits that dominated streaming charts, remixes continue to expand the artist’s horizon. In some cases, it turned promising records into career-defining hits. In others, it gave already-great songs a second life that eclipsed everything that came before.

Here are 10 Nigerian song remixes that prove the best version doesn’t always come first.

10. “” — BoyPee feat. Hyce & Brown Joel & Davido (2024)

The original “Ogechi” was a catchy, fast-rising love anthem and TikTok sensation, driven by the youthful synergy of BoyPee, Hyce, and Brown Joel. But Davido’s feature in the remix came just in time for his viral wedding. His verse matched the song’s romantic mood while giving it the mainstream visibility it needed to reach an even bigger audience.

9. “” — FOLA feat. BNXN (2024)

FOLA’s original “Alone” is a poignant, soulful Afro-fusion song that carries heartbreak and highlights his emotive penmanship. The addition of BNXN in the remix, however, gives the song a mainstream sheen. BNXN’s signature buttery, meandering voice fits into the song’s melancholic ambience. The remix takes the crown because BNXN’s voice adds a layer that deepens the song’s emotional weight.

8. “” — Humblesmith feat. Davido (2016)

The original “Osinachi” blends gospel themes with highlife-infused Afropop. The song introduced Humblesmith as a major new voice. But the best of this remix comes down to one thing: context. Davido uses his guest verse to directly address a highly publicised, real-life family drama involving his baby mama and Dele Momodu. By bringing his personal life to the track, Davido turns a catchy song into a viral hit without disrupting its thanksgiving message. The Davido feature cemented the remix of “Osinachi” as one of 2016’s biggest songs.

7. “” — Skales feat. Burna Boy (2017)

The original “Temper” is a decent, upbeat afropop track, but not memorable. The remix completely changes the song’s DNA. Producer Krizbeatz flips the beat, slows the tempo and injects a genius interpolation of Fela Kuti’s “Sorrow, Tears and Blood.” Burna on the remix takes over the song with a laid-back, catchy hook that matches the Afrobeat sample. The remix is better because it trades a generic pop bounce for a mid-tempo groove that feels timeless.

6. “” — Marvellous Bengy feat. Dalvin & Kolman (2006)

Marvellous Bengy’s original “Swo” was a big Gala song with regional appeal, getting listeners to do that signature dance. But the remix, featured in the Take Control album, pushed the street and club appeal to a new level. Having Dalvin and Kolman on the remix introduced a gritty, fast-paced dancehall style that goes well with Bengy’s ragga flow. It sounds crowded, but its high-energy collaboration makes it a classic.

5. “” — Oritse Femi feat. Vector (2013)

The original “Better” is already an uplifting grassroots anthem, but the remix elevates it. Vector’s verse injects rap, urgency and socio-politically conscious bars that slice through the dancehall beat. “Better (Remix)” balances the song’s street-hop with hip-hop flair.

4. “” — Dr Sid feat. Wizkid & Phyno (2013)

Dr Sid’s original “Surulere” was already a huge song built on Don Jazzy’s production. It celebrates perseverance, but the remix gives the message extra weight through star power and chemistry. Wizkid makes it more melodious while Phyno adds a reflective rap verse that reinforces the song’s central theme. This remix is outstanding because it turns a solo victory lap into an all-star celebration.

3. “” — Kizz Daniel feat. Tiwa Savage & Davido (2015)

The original “Woju” introduced Kizz Daniel as a formidable pop voice, but the remix takes the song from a breakout single into a national hit. Davido brings his signature bravado, while Tiwa Savage delivers a smooth, melodic R&B counterpoint that gives the song a new edge. The remix outshines the original because the chemistry among the three artists feels organic and fills every pocket of DJ Coublon’s production with star power.

2. “” — Asake feat. Burna Boy (2022)

Asake was already on a generational run when the original “Sungba” came out, but the remix with the globally-famous Burna Boy served as his cushion to a bigger stage. Burna matched Asake’s choir backup with an authoritative delivery. The remix is better because Burna Boy’s deep, grounded baritone anchors Asake’s high-pitched fuji-pop vocals. Their chemistry is effortless.

1. “” — Flavour (2010)

Originally titled “Nwa Baby,” Flavour’s first version is a traditional, slightly slower highlife tune. “Ashawo” remix completely changes the song, speeding up the tempo and adding a heavy, pulsating bassline made for the dancefloor. It’s one of the links between Eastern Nigerian highlife and mainstream African club music. The remix is a better song due to its infectious, waist-winding production that the original lacks. This song propelled Flavour to African-wide superstardom.

ALSO READ: ��10 Times Nigerian Artists Turned Money Into Catchy Lyrics��

10 Reasons the “Black Market” GWR Screening Is the Biggest Cultural Event Of The Year

Tomide Marv — Mon, 13 Jul 2026 16:59:16 +0000

Nigerians are known for doing things big, but we’re about to take it to a whole new level.

If you haven’t heard the gist yet, the upcoming premiere of the movie Black Market is an official Guinness World Records attempt to set the record for the largest film-screening audience ever. We’re talking about thousands of people gathering to make global history while watching a Nigerian film.

If you’re still wondering whether you should clear your schedule for this, here are 10 reasons why missing this is not an option.

1. This is global history

We’re coming together to break the Guinness World Record for the largest film screening audience. When the record books are updated, you’ll get to say you were physically there when Nigeria took the crown.

2. Star-studded executive producers

This movie is produced by the likes of Omowumni Dada, Mike AFolarin, Oreoluwa Awolowo, Susan Pwajok Ganchung and Ladun Awobokun.

3. The cast is stacked

A good story needs a great cast, and they did not play around with this lineup. With heavy hitters like Linda Ejiofor Suleiman, Lateef Adedimeji and Itele D Icon, sharing the screen, the fantastic acting we are about to witness will be one for the books.

4. Huge production partners

When you see Rixel Studios, FilmOne Studios, Signet Ring Studios and Switch Visuals Production coming together to back a project, you know the cinematic experience will be top-tier. They’re bringing that blockbuster magic to this record-breaking screening.

5. Global production scale

Making a movie is one thing, but creating a visual spectacle that can captivate a record-breaking crowd requires serious creative heavy lifting. Shoutout to Rixel for the visual and production brilliance behind this.

6. Swoop and MTN treatment

What’s a huge cultural moment like this without a seamless experience? Swoop and MTN are in the mix to make sure every aspect of this event serves you well. From bringing our favourite restaurant close to you to better internet service and on-ground experiences, they’re ensuring we’re comfortable.

7. The crowd energy will be unmatched

Think about the vibe of a sold-out stadium concert or a football final. Now bring that same collective energy to a movie screening. Watching a plot twist unfold with thousands of other people reacting at the exact same time is a once-in-a-lifetime experience.

8. It’s a social convergence

Everybody who’s anybody is going to be there. From your favourite content creators and Nollywood stars to people who just want to be part of history. It’s going to be one of the biggest networking and social events of the year.

9. The fashion moments will break the internet

It’s a Nollywood event, which means expect outfits to go viral. Numerous TikToks will be made because Nigerians never miss an opportunity to dress up.

10. The lifetime bragging rights

Years from now, when people are talking about the day Black Market shut the city down, you don’t want to be the person who says, “I watched it on my phone later.” You want to be the one who says, “I was in that crowd.”

Tomide Marv, Author at 91����!

20 Times Davido Was the Perfect Feature Artist

20. “” — Lola Rae feat. Davido (2018)

19. “” — Russ feat. Davido (2021)

18. “” — Sinzu (FKA Sauce Kid) feat. Davido (2011)

17. “” — Odunsi, the Engine feat. Davido (2018)

16. “” — BoyPee, Hyce & Brown Joel feat. Davido (2024)

15. “” — DJ Neptune feat. Davido (2020)

14. “” — Larry Gaaga feat. Davido (2018)

13. “” — Reminisce feat. Davido (2014)

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12. “” — Runtown feat. Davido (2014)

11. “” — Chris Brown feat. Davido & Lojay (2023)

10. “” — Lil Kesh feat. Davido & Olamide (2014)

9. “” — Adekunle Gold feat. Davido (2021)

8. “” — Kcee feat. Davido (2015)

7. “” — Tekno feat. Davido (2013)

6. “” — Mayorkun feat. Davido (2018)

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5. “” — Humblesmith feat. Davido (2016)

4. “” — Skales feat. Davido (2015)

3. “” — Falz feat. Davido & Olamide (2016)

2. “” — Kizz Daniel feat. Davido (2018)

1. “” — Skiibii feat. Davido (2021)

ALSO READ:��How Nigerian Music Walked Into Football’s Biggest Stage

10 Nollywood Movies For When You Want Just Drama, Nothing Else

1. (2022)

2. (2021)

3. (2025)

4. (2018)

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5. (2014)

6. (2026)

7. (2023)

8. (2014)

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9. (2026)

10. (2018)

ALSO READ:��10 Performances from the 2020s that turned Nollywood Actors Into Stars

The 10 Producer-Artist Duos That Never Missed

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6. and Da Grin

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How Nigerian Music Walked Into Football’s Biggest Stage

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ALSO READ: 10 Performances from the 2020s that turned Nollywood Actors Into Stars

Nollywood Actors Whose Characters Have Stuck With Them

1. Funke Akindele as Jenifa

2. John Okafar as Mr. Ibu

3. and as Aki and Pawpaw

4. Nkem Owoh as Osuofia

5. Hafiz Oyetoro as Saka

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6. as Mr. Latin

7. Abiodun Ayoyinka as Papa Ajasco

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8. as Sanyeri

9. Ime Bishop Umoh as Okon Lagos

10. as Mama No Network

ALSO READ: The 10 Best Nollywood Epics of the 2020s

Nigerian One-Hit Wonders Who Deserved Way More Hits

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READ NEXT: 10 Nigerian Remixes That Beat the Original

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Tomide Marv, Author at 91��!

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